I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.

Bond? It is a bit like saying, 'Do you want to play Superman?' Anyone would dream of it. It's one of the most coveted roles in film. I'd be honoured. But I don't know if it will actually happen. I'm just happy with the idea of being associated with it. It's nice there's a lot of good will.

I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.

It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?

Sean Connery wasn't the Scottish James Bond, and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.

I've always been DJing; it's just I'm making more of a push for it, making it more public.

The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.