When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.

Imagine a film such as Inception with an entire cast of black people - do you think it would be successful? Would people watch it? But no one questions the fact that everyone's white. That's what we have to change.

The less I talk about being black, the better.

The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.

I think there's a tendency for actors like myself, and I don't mean to generalize myself, but I've played 'men's men,' if you will, characters that are simmering rage and calculated. There's a trend not to play anything that is opposed to that.

When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.

I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.