Nobody likes a celebrity DJ for the sake of style, so I don't do that - I try to be good at what I do. It's all about resetting, it's my escape. It is work, it's a job, but I just love doing it.

It could be Grammy night, Oscar night, whatever - I don't feel the pressure to be there.

When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.

There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.

I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.

I tend to stay away from the comics.

The only thing I change mainly is my sneakers. I love sneakers. But everything's sort of black or jeans. Jeans, always.