In the morning I'd write these essays, anything that I'd feel like writing, and in the afternoon, I'd spend time with my guitar. I had decided after listening to my last four or five albums that my biggest weakness musically was melody. the reason I had been singing in a monotone over the chord patterns in my songs was that I never practiced doing melodies.

There was a time when I wanted to get out of the Western world. I went down to Grenada and looked at a place, and I realised that if I lived in a Grenadian manner I'd be nothing but a blah. I'm going to need constant bodyguarding, guns and money to join the community there. Otherwise you just got a bunch of fat, old white people dying together, overeating, drinking. Not very attractive.

It's more fun to look at an old picture of me than it is to look at a new one sometimes. Although, I still wear a dress pretty well.

I'd have a few on and off, but the commitment was always more on the girls' part than on mine, to be perfectly honest. So, I met a girl in Tokyo, on my Japanese tour, with whom I've been living ever since, very happily. Her name is Suchi.

I was feeling that I was the in the dead-end circuit from 1980 to 1983, and I didn't know what else to do. I remember doing a show in some college town, in a tiny club, and afterward some fans came back. I thought I had done good gig and they were going to tell me that.

When I get up in the morning, I stay nude for three or four hours. If I really feel like getting formal, I'll put on board shorts.

I thought, "Wow, it sounds really stoned anyway." It sounded good to me. I found out that there was a lot in there. What all this comes down to is I was just trying to get in touch with myself. And I met some interesting people in New York who weren't in show business. I even got to know my dentist.