The key to The Doors is the culture behind the myth.

I wanted to learn a little bit about acting, not because I thought I'd find a star vehicle and set the world on fire, but I thought the discipline of it would be good for me. I met a good coach, and I joined her class - with a lot of hungry young actors who really didn't acre if I was a rock 'n' roll singer or not. I started to learn to get a focus, without having to jump up and down every few seconds.

There are no pimps, no whores, no transvestites - gone. Now that's more the culture I'm comfortable in ... I don't like it in the house, you know what I mean, but I like it somewhere around.

When the 'godfather of punk' thing started floatin' around, it was, I was really, really embarrassed. I thought I should have a great, big rig and a cape and everything, and it was very embarrassing. And then after a while, you learn that if people call you anything, this is a great gift.

I was feeling that I was the in the dead-end circuit from 1980 to 1983, and I didn't know what else to do. I remember doing a show in some college town, in a tiny club, and afterward some fans came back. I thought I had done good gig and they were going to tell me that.

I'm not the kind of person who could join AA or have rules for myself or on Thursday take this vitamin pill. So, basically, I learned the hard way. I learned by trial and error, and tried to get drugs out of my work. That took about a year. If I was going to work, it was best that I be straight. And I was surprised at what came out.

I spent most of the eighties, most of my life, riding around in somebody else's car, in possession of, or ingested of, something illegal, on my way from something illegal to something illegal with many illegal things happening all around me