I don't get my bliss by listening over and over to people in the street thinking, "Boy, is it that good?" Even though every time I hear it that's what I think. But I get it in human situations. There is this little voice that is going, "The reason you're able to enjoy your life now is that you made it in rock'n'roll and people are giving you free visas all over the place. Dude, you are being spoiled".

The 2 things I like the most are girls and loud noises.

And if somebody's going to produce me, they should be producing my sound for me. And that's something I have to come up with myself.

I became Iggy because I had a sadistic boss at a record store. I'd been in a band called the Iguanas. And when this boss wanted to embarrass and demean me, he'd say, 'Iggy, get me a coffee, light.'

I'm a little bit damaged in about 15 different ways, and it's been nice that no particular damaged area has become a major issue. I'm a more than moderately healthy 65-year-old male who has gotten away with a lot of stuff.

Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.

I stayed in L.A. long enough to get on my feet, and then I moved back to New York. The reason I moved here was that I don't feel warm outside of a city; it's too barren in the suburbs, and L.A. is a suburb. Here, it felt active.