When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.

I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.

They used to say it was bad for Indians to drink, but it's bad for anybody. When they drink they lose their cool, a lot of us. Like when we played with Sonny Boy, I would never get paid, you know. He would drink up all the money.

They would come down in Mississippi, they hired me as a talent scout. And I would go all over Mississippi, Alabama, Texas, and find out different artists for them.

I believe I was ahead of my time.

I'm using Fender Twin Reverbs and Fender Blues Devilles on stage.

Either accept people for what they are, or don't. So, in other words, man, if people don't know me, I think they do themself an injustice. Because, as a whole, I think I'm a good person.