Art has to be, you know, trade itself, conform to the old strict guidelines set forth by how it was going to act in the future.

I'll throw ya gang-sign up, and then I'll spit on my hand.

I'm a business man and I'm a grown man. I spend a lot of time thinking about how to restructure my life, support my family with this music... I don't have time to deal with the repercussions of breaking somebody's jaw or breaking their nose.

If we can sell out a venue that's just as big as this in Omaha, if we can sell out DePaul in Chicago tomorrow, which looks like it's going to happen for 1100 or 1200 people, then obviously everyone will know that we can affect between 700 to 1000 people at a time in damn near every city in America, then I think that's a good start. It also tells people, and gives them an example, how independent hip-hop is able to do this without gigantic corporate support.

That as much as we're afraid of New World Order coming and of Canada and America joining together, that if we don't learn the lessons from the past then it doesn't matter what you want to call it: the North American Union or the South American Union, or the European Union, or the African Union... it doesn't matter what you call it as long as the arrangement remains the same.

I'd rather be proud of what I am, rather than desperatly try to be something I'm really not; just to fit in.

I hope one of my fans has one of your kids shot: and blames it on acid, prozac, and slipknot.