The interesting thing about that is one of the greatest critics of socialism and leftwing writings was Robert Michels who wrote a series of essays called "The Iron Law of Oligarchy" and in these essays he discusses how no matter what sorts of freedoms are advertised or put into a society structure, that all societies, all form of governments - whether they be a Roman republic, whether they be a democracy, whether they be a Russian communist system, whatever, a tribe... a tribal council - all of the continuously, throughout the ages, have all converted back into an oligarchy.

If we can sell out a venue that's just as big as this in Omaha, if we can sell out DePaul in Chicago tomorrow, which looks like it's going to happen for 1100 or 1200 people, then obviously everyone will know that we can affect between 700 to 1000 people at a time in damn near every city in America, then I think that's a good start. It also tells people, and gives them an example, how independent hip-hop is able to do this without gigantic corporate support.

Some artists think every woman is a groupie, and that every dude is a sucker, and I never looked at people like that.

My revolution is born out of love for my people, not out of hatred for others.

People are educated into the fact that as a people we stand a better chance of knowing how to work the law if we know the history of the law and the history of our people's relationship with it.

When you talk about revolution, it's very easy to romanticize picking up a gun or marching in the street, but I think before we take any of those actions, violence of course being the last one, we first have to have a revolution of the mind.

Art has to be, you know, trade itself, conform to the old strict guidelines set forth by how it was going to act in the future.