You don't have to either choose to save the world or become a sellout. I say to people, "Listen dude, how can you save the world if you can't even save yourself? Why don't you try to affect one person's life who's in your life, and that would be historic."

I'm not trying to sell pipe dreams to people. I'm not giving them some fake utopia. I'm not telling them it's easy. If it was easy, everyone would do it. But you don't fight the fights you can win, you fight the fights that need fighting. That's the most important part.

Your fans can't just pop in whenever they want. I'm not gonna allow someone to just drop over my house whenever they want like, "Hey what's up? I bought your album so what's for dinner?"

A lot of individuals I've met that I've done a song or two with. But to be honest I'm not incredibly familiar with the scene. I mean, I'm more familiar with people coming from other countries like Latin-American MCs and African rappers... that type of stuff I'm really starting to get a hold on.

They [people of Afghanistan] didn't want Al-Qaeda in their country. They didn't appreciate the Taliban taking control. But they really have an incredible amount of dignity. And by that, they are grateful for America's help in ridding them of the Taliban. The average, ordinary person is glad that their daughter can go to school now. There's no public executions, no banning of soccer games. The difference is, they're appreciative, but they don't want any prolonged military presence of the United States there.

Plastic metaphors and carbon copy similes that aren't going to do anything for anybody and it doesn't showcase creativity; it showcases the fact that the soul of the music has been compromised to control the industry.

I would say that everyone that you see who is successful in the mainstream, at the top of Billboard, who has a Top 40 hit... at some point, unless they're a complete fabrication of the industry with no identity of their own and a carbon copy clone of someone else, they in themselves started out being underground.