Unfortunately, Poots is the name that I've been graced with for my life, but it's not short for anything.

I fell in love with it. Walking around just feels so cinematic. I find the aris- tocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it’s different—even uptown it’s really grand, and there’s no real segregation there. It’s all mixed up.

Well, in terms of the filming with the car, you always wanted to be on the side which the cameras weren't, because - and it sounds ridiculous, but getting in and out of that car, all in leather, in the heat, was a problem.

I think any relationship that is normal - I mean, there's no normal relationship, but in terms of a flawed relationship, there's always gonna be awkward moments within that because you're addressing things that the world is throwing at you, whether that's distance or whether that's where this is going or other people and past relationships, all these factors.

If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.

But in New York, it’s different—even uptown it’s really grand, and there’s no real segregation there. It’s all mixed up.

I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but its to breathe the character and get into the psychology of it.