When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.

I am living permanently in my dream, from which I make brief forays into reality.

Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.

I supply my own angels and demons. I exist on a stony beach, which lowers itself in waves toward a protective ocean. A dog barks; a child cries; the day sinks and becomes night. You can never scare me. No human being will be able to scare me ever again. I have a prayer that I repeat to myself in absolute stillness: May a wind come to stir up the ocean and the stifling twilight. May a bird come from water out there and explode the silence with its call.

Perhaps we are the same person. Perhaps we have no limits; perhaps we flow into each other, stream through each other, boundlessly and magnificently. You bear terrible thoughts; it is almost painful to be near you. At the same time it is enticing. Do you know why?

The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.

To feel. To trust the feeling. I long for that