In the open air you don't play as many quiet songs as you would normally.

I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.

It's one of the things that makes it enjoyable to keep playing; you have to approach each set differently and make some balance between what you want to do and what seems right.

I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.

There's an actual physiological thing that happens to me on tour. There's that moment where I sit in my seat and click the seatbelt, and five seconds later I fall asleep.

I don't think simple is an insult. Something that's really simple and great is probably harder to do than something more complex.

When people ask you to do stuff, it's not your idea anymore, so it's tough to get behind it.