I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.

Sometimes things that are comfortable are comfortable because it's what you're good at. When you start doing the things you're not as comfortable with, there needs to be a reason for it.

Some sports teams hate each other in the locker room and that's what makes them great.

When people ask you to do stuff, it's not your idea anymore, so it's tough to get behind it.

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.

There's an actual physiological thing that happens to me on tour. There's that moment where I sit in my seat and click the seatbelt, and five seconds later I fall asleep.

I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.