I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.

There's an actual physiological thing that happens to me on tour. There's that moment where I sit in my seat and click the seatbelt, and five seconds later I fall asleep.

It's one of the things that makes it enjoyable to keep playing; you have to approach each set differently and make some balance between what you want to do and what seems right.

Sometimes things that are comfortable are comfortable because it's what you're good at. When you start doing the things you're not as comfortable with, there needs to be a reason for it.

I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.

I have grown more forgiving. I accept that not everything is for me. I'm not as in love with my own opinions as I used to be. And anger is not something that comes to me as quickly as it once did.