I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.

I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.

I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.

Sometimes things that are comfortable are comfortable because it's what you're good at. When you start doing the things you're not as comfortable with, there needs to be a reason for it.

In the open air you don't play as many quiet songs as you would normally.

It's one of the things that makes it enjoyable to keep playing; you have to approach each set differently and make some balance between what you want to do and what seems right.

There's an actual physiological thing that happens to me on tour. There's that moment where I sit in my seat and click the seatbelt, and five seconds later I fall asleep.