I'm interested in what actors reveal about themselves through the structure of the character.

The questions of economics, and how they infect, or rather how they affect intimacy. And that's probably the subject of all my films.

I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films.' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.

I'm a version of the same person.

You are always factoring in the economy within the process of creating something, and making decisions that seem both fearless and full of fear.

I think my movie addresses the struggles of communities facing class distinctions, which are timeless. The questions of how we live together and what we do for money are really the stuff of drama.

When working on and writing a film, I'm often more of a sponge than other times, aware of what's going on around me.