Their [BBC] idea of bipartisanship is to try not to offend the Conservative party, try not to offend the Labour party.There is no analysis of anything beyond that, and these two parties are exactly identical, following the same Neoliberal policies for thirty years. And it's no criticism outside of that, it's just that there's basically sectarian pandering to these two individual parties, these two individual organisations. They still make a lot of great programmes and do a lot of great things, but there's not much political analysis happening broader to that.

If the media is just a cheerleader for an authoritarian populist, who isn't that popular, then we're in a sorry state. The media has to be critical - it has to scrutinize it, it has to call out things.

Once you've been with each other in a primal, shagging state, it's hard to talk about the weather.

If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.

[Ecstasy] had its flaws, but again it was shot on a low budget, and they did well. It's not in the same league as Filth.

I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.

The subsequent success levels, all the other stuff [after Trainspotting], it comes at a much higher level.