I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.

We have to concentrate back on: Where is the money going? Where's it been going for the last thirty years? How do we start to redistribute the cake more evenly, and give people opportunities? That's as much about poor white people in West Virginia as it is about poor black people on the Southside of Chicago.

Just lock myself in a room, stop answering emails, stop answering the phone and I come out with something.

We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isn’t all totally pointless.

You know, people tend to get stereotyped for about forty percent of their behavior, so if you're completely crazy forty percent of the time you'll get stereotyped as crazy, even if you're totally boring thirty percent of the time and just studious the other thirty percent of the time.

Most people with good jobs, middle-class occupations, what have you, are only one pitfall away from social embarrassment and destitution. It's so precarious. Even salaried people in the West now feel this sense of being trapped, not having the freedom to strike out.

People love talking about their jobs. Take them out, buy them lunch or take them for a beer and they'll talk about their job, provided they know that you're going to respect their anonymity.