If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.

I've always felt really good about England. I've always felt really, really good about Britain.

We have to concentrate back on: Where is the money going? Where's it been going for the last thirty years? How do we start to redistribute the cake more evenly, and give people opportunities? That's as much about poor white people in West Virginia as it is about poor black people on the Southside of Chicago.

It's only now that I realize that behaviour always has a context and precedents, it's what you do rather than what you are, although we often never recognise that context or understand what these precedents are.

Most people with good jobs, middle-class occupations, what have you, are only one pitfall away from social embarrassment and destitution. It's so precarious. Even salaried people in the West now feel this sense of being trapped, not having the freedom to strike out.

There's nothing worse than a violent beating from an unremarkable person. Physical violence with someone is too much like shagging them. Too much id involved.

I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.