Eros is very close to death. And both things, in a way, balance each other.

My books are based on emotions, feelings, relationships. In these areas women are experts, so it's not strange that the main characters of my novels are females.

In Venezuela, when I was living there, crime was growing. You couldn't feel safe anywhere. You couldn't leave your car in the street because it would be stolen. You coun't live in your house if you didn't have a high-security alarm system, because you would be burglarized seven times a week.

She was one of those people who was born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengance, and for the most sublime forms of heroism but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother's sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman made for maternity, abundance, action, and ardor- was consuming herself.

She sowed in my mind the idea that reality is not only what we see on the surface; it has a magical dimension as well and, if we so desire, it is legitimate to enhance it and color it to make our journey through life less trying.

I see that in the future, things that we have lost in the past will be recovered. There's a search for those things, a search for spirituality, for nature, for the goddess religions, for family and human bonding. All that has been lost in this industrial era. People are in desperate need of those things. I don't think the world will destroy itself in a nuclear cataclysm. On the contrary, we have the capacity to save ourselves and save the planet, and we will use it.

Love is a free contract that begins with a spark and can end the same way.