When you tell a story in the kitchen to a friend, it's full of mistakes and repetitions. It's good to avoid that in literature, but still, a story should feel like a conversation. It's not a lecture.

I've been so thoroughly incorporated into the California culture that I practice meditation and go to a therapist, even though I always set a trap: during my meditation I invent stories to keep from being bored, and in therapy I invent stories to keep from boring the psychologist.

I'm surrounded by the scene of aging. I myself am in my 70s and not getting any younger. Although I'm very healthy, and I have a lot of energy, and I still feel 50, I'm over 70 and I understand that I am preparing for later.

I was a lousy journalist. I could never be objective. Sometimes I invented the whole story.

It is a wonderful truth that things we want most in life-a sense of purpose, happiness and hope-are most easily attained by giving them to others.

No complaining about how hard it is to write, we are all so, so lucky to write, to sit down, inside, and write words on paper. There is no greater freedom, no greater good, nothing that brings more joy.

I'm not a fan of mysteries, so to prepare for this experience of writing a mystery I started reading the most successful ones in the market in 2012. And I realized I cannot write that kind of book. It's too gruesome, too violent, too dark; there's no redemption there.