Heart is what drives us and determines our fate. That is what I need for my characters in my books: a passionate heart. I need mavericks, dissidents, adventurers, outsiders and rebels, who ask questions, bend the rules and take risks.

I don't want to die in pain or in an undignified way, I don't want any of the people I love to die in, die painfully. But I'm aware of the fact that they may die before I do and I have to part with them and take the loss. The hardest thing of love is to let go. But I think I can get let go of almost anybody.

People think that they will sit down and produce the great American novel in one sitting. It doesn't work that way. This is a very patient and meticulous work, and you have to do it with joy and love for the process, not for the outcome.

I don't think I would be a writer if I had stayed in Chile. I would be trapped in the chores, in the family, in the person that people expected me to be.

The most poor and backward areas in the world are those in which women are subjugated and exploited. Improving the situation of the woman improves the family, the community, and by extension the whole country.

A novel is like a window, open to an infinite landscape.

I do not put myself in a box and say, for instance, I'm writing post-colonial literature. I don't know what I'm writing. That's the business of professors and critics. My job is to tell a story, and that's it.