It's hard to make a living in any of the arts. When most people think of artists, they think of the stars and the celebrities. But that's such a tiny minority of the elites who are able to make those millions of dollars. The reality is that it's very hard for the rest to make a living as an artist. So, you really have to persevere and understand that achieving the sort of success where you're making the big money is like winning the lottery.

I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.

You dont do an experimental film to become rich, so the people who are involved are involved because they enjoy the creative aspect of it.

Women who stay true to themselves are always more interesting and beautiful to me: women like Frida Kahlo, Georgia O'Keeffe and Anna Magnani - women who have style, chic, allure and elegance. They didn't submit to any standard of beauty - they defined it.

David Lynch came out of it a genius, and I came out of it a fat girl. I'm sorry that the only comment I get about the part is the way I look. Commenting on the critics' response to her performance in Blue Velvet

In America, they are paranoid about ruining the reputations of people once they are dead and cannot answer back. They have this fascination which to me seems cruel and morbid. I do not want any part of it

From the time I was a child I wanted to be like my mother. Not necessarily an actress - I never dreamed I'd have the courage. But an active, volatile woman like she was.