I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.

It's hard to make a living in any of the arts. When most people think of artists, they think of the stars and the celebrities. But that's such a tiny minority of the elites who are able to make those millions of dollars. The reality is that it's very hard for the rest to make a living as an artist. So, you really have to persevere and understand that achieving the sort of success where you're making the big money is like winning the lottery.

Adoption has the dimension of connection - not only to your own tribe, but beyond, widening the scope of what constitutes love, ties and family. It is a larger embrace. By adopting, we stretch past our immediate circles and, by reaching out, find an unexpected sense of belonging with others.

To me, it is very important to have perfume in which it is hard to recognize a particular flower or scent. That gives a touch of mystery.

I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies.

Mama wrote a letter to my father saying' I want to work with you' and she ended the letter saying' in Italian I can only say ti amo( I love you)' and of course the press used that to say women are sexual predators, in 1949 they made a first film together,' Stromboli', and they fell in love and my mother became pregnant with my brother Roberto before she could obtain a divorce.

But I don't really see myself as a role model. I'm not a dictator, or someone who wants to be adored!