When I hear myself, I don't know how I sound.

I always thought that's the exact metaphor, the perfect metaphor for acting. To go blind, to ignore the danger, and to totally trust.

Sometimes over the years, you know, things come to surface.

When you come to do the film, it is not the time to wonder why you do it. It's just how to do it

I never wondered whether I should be a stage actress or a movie actress.

I don't get many good offers. I like to follow the same kind of path I follow in France. If I don't feel the movie is very original or has a good amount of potential, I don't do it. In the films I've done I can feel I'm part of a specific universe, but those sorts of opportunities are quite rare.

But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.