When I hear myself, I don't know how I sound.

I did a film very quickly, and then a lot of work for television, and then I did stage work.

When you're an actress you are in a very specific position, cerebrally, I would think you know. You are a thinking person but you are in a certain perception of the world between really being conceptual and completely stupid. So you are in between, with a lot of intuition and instinct. And that's not completely being intellectual because I think intuition is more blurred. It comes from intuition. Instinct. More than really reasoning.

I don't think I'm that intellectual.

Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.

I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.

A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.