I'm curious and you know, I really think cinema is strong medium that allows you to go to so many different mental countries, not just geographical countries. As far as it allows me to express something of my own truth, it's fine for me. I can go to the moon.

In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous.

One job is to be an actor, the other job is to be a spectator.

One would expect an actress to stand onscreen mostly as a caricature. If she would say, "I'm selling shoes," you would believe her. She says it and it creates this fiction, non-fiction perception of the film. People believe it because she says it. If she said, "I'm a butcher," people would believe it too, I think.

I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.

What people think improvisation is and non-improvisation is, it's nothing to do with what you like or dislike. It's all about how it happens with certain directors and certain scenes. That's the way it works. It's not something, in general, that you can decide.

When you come to do the film, it is not the time to wonder why you do it. It's just how to do it