Here I am, where I am supposed to be.

It is a sad hardship and slavery to people who live in towns, that in their movements they know of one dimension only; they walk along the line as if they were led on a string. The transition from the line to the plane into the two dimensions, when you wander across a field or through a wood, is a splendid liberation to the slaves, like the French Revolution. But in the air you are taken into the full freedom of the three dimensions; after long ages of exile and dreams the homesick heart throws itself into the arms of space.

The divine art is the story.

If only I could so live and so serve the world that after me there should never again be birds in cages.

Humanity has made a great error in seizing on a certain moment, no more intrinsically notable than any other moment and has called it Birth. The habit of honoring one single instant of the universal process to the disadvantage of other instants has done more, perhaps, than anything to obfuscate the crystal clearness of the fundamental flux.

The flamingoes are the most delicately colored of all the African birds, pink and red like a flying twig of an oleander bush. They have incredibly long legs and bizarre and recherché curves of their necks and bodies, as if from some exquisite traditional prudery they were making all attitudes and movements in life as difficult as possible.

A giraffe is so much a lady that one refrains from thinking of her legs, but remembers her as floating over the plains in long garb, draperies of morning mist her mirage.