You can't change the past, but you can ruin the present by worrying about the future.

I felt that Paris was illuminated by a splendor possessed by no other places.

Man reaches the highest point of lovableness at 12 to 17 - to get it back, in a second flowering, at the age of 70 to 90

Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.

Then Martine said: "So yuo will be poor now all your life, Babette?" Poor?" said Babette. She smiled as if to herself. "No, I shall never be poor. I told you that I am a great artist. A great artist, Mesdames, is never poor.We have something, Mesdames, of which other people know nothing.

When we are young the idea of death or failure is intolerable to us; even the possibility of ridicule we cannot bear. But we have also an unconquerable faith in our own stars, and in the impossibility of anything venturing to go against us. As we grow old we slowly come to believe that everything will turn out badly for us, and that failure is in the nature of things, but then we do not much mind what happens to us one way or the other. In this way a balance is obtained.

In Africa, when you pick up a book worth reading, out of the deadly consignments which good ships are always being made to carry out all the way from Europe, you read it as an author would like his book to be read, praying to God that he may have it in him to go on as beautifully as he has begun. Your mind runs, transported, upon a fresh deep green track.