I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?

[David] Mamet is another hypocrite. His idea of Black man is a pimp who abuses women, [Edmond], yet his play Oleanna [1994] ends with a White professor slapping an uppity feminist, at least the version I saw at San Francisco's ACT.

No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons.

My novels and poems are meant to be read aloud. That's why jazz musicians have been able to adapt my stuff.

The liberal wing of the feminist movement may have improved the lives of its middle- and upper-class constituency--indeed, 1992 was the Year of the White Middle Class Woman--but since the leadership of this faction of the feminist movement has singled out black men as the meta-enemy of women, these women represent one of the most serious threats to black male well-being since the Klan.

I used to be a discipline problem, which caused me embarrassment until I realized that being a discipline problem in a racist society is sometimes an honor.

I asked Joe Weixlmann why he would print a death threat like that in light of the fact that there are all of these armed ideological nuts wandering around loose. He said that for him, to "ice" someone means to reprimand them.