During the last decades, films about the black experience have been produced, directed, and even scripted by white men. Some of them are excellent. But most reflect George Bernard Shaw’s warning that 'if you do not tell your stories others will tell them for you and they will vulgarize and degrade you.'

David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.

Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs.

I was challenged to a fistfight by Margo Jefferson, the Pulitzer Prize winner, New York Times writer, who is part of a feminist clique at the Times, which believes that Black men are the principal threat to the women of the world.

In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.

I'm sure that you could go back and make a graph showing that all the killings of black males increased in times of economic difficulty. As a matter of fact, a black man was lynched last year.

I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.