Currently, U.S. society has been encouraged by its political and subsidized mass-media intelligentsia to view U.S. life as a continual "morning in America" paradise, where the only social problems occur in the inner cities. Psychologists call this denial.

I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.

That kind of thing happens to black people every day in this country, and they don't receive that kind of sentence he did, which was to go to prison on the weekends; I think he lectured there-an outside lecturer.

I used to be a discipline problem, which caused me embarrassment until I realized that being a discipline problem in a racist society is sometimes an honor.

Joel Chandler Harris, who created a multi billion dollar industry, everything from his books, to Disney's "Song of the South" based upon the Uncle Remus stories. He got his start by transcribing the stories of slave Informants. I'm sure that none them got a dime.

The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes--McCarthy and Stalin--that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.

Currently, U.S. society has been encouraged by its political and subsidized mass-media intelligentsia to view U.S. life as a continual "morning in America" paradise, where the only social problems occur in the inner cities. Psychologists call this denial.