Howard University holds something called "Heart's Day," an all day ceremony in which a writer is honored. I was the recipient of this honor. It's a wonderful ceremony that Eleanor Traylor chair of English at Howard University organizes for writers. Writers from around the country came to pay tribute to my work. It was very flattering.

Another California study counted 30,000 substance abusers who are pregnant are White woman. So, The Wire paints the picture of drug addiction, drug dealing, and drug abuse as being a specifically a Black issue.

Two of the great leaders of the past - Booker T. Washington and Frederick Douglass - had White fathers - who deserted them. Now Margo Jefferson, who is hard on me and the fellas, wrote in the Times that she has nocturnal, erotic fantasies about John Wayne. What's up with these feminists? Do you see these double standards these feminists have? They dream about John Wayne, but they're hard on us [Black men].

I guess when it comes to this privileged White racist feminist movement they respect someone who treats them rough: John Wayne. Frank Sinatra. Phillip Roth.

In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.

Writing has made me a better man. It has put me in contact with those fleeting moments which prove the existence.

The cultural wars of the sixties are over. I've reconciled with those who were my critics and opponents years ago. I was at odds with some those who were Black nationalists. Yet when feminists attempted to end my career and leave me as literary road kill, it was the Black nationalists who came to my rescue.