Richard Price, who has made a fortune writing fake ghetto books, says he takes a cab into the ghetto, transcribes Black speech for a brief time and returns home. His fake ghetto books have bought him a townhouse in Gramercy Park and home on Staten Island.

Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs.

The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes--McCarthy and Stalin--that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.

David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.

I wasn't part of any sixties movement. I'm skeptical of movements. I'm part of the times that I'm in.

When I say Afro-American aesthetic, I'm not just talking about the United States, I'm talking about the Americas. People in the Latin countries read my books because they share the same international aesthetic that I'm into and have been into for a long time. And it's multicultural.

We learn about one another's culture the same way we learn about sex: in the streets.