In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.

In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.

I think there are fundamentalists all over the world. I think all religions have fundamentalists who have different interpretations of scriptures that are very vague.

I reached the age of 70, because I have cultivated an association of multicultural intellectuals who are informed and alert to whatever "tricknology" that's laid on us by the powers that be. These include White ethnic intellectuals- people who know their roots- as well as Native American, Asian American, Hispanic and Black intellectuals. These are thirty, forty-year associations with some of the best minds around. Minds that are ignored by the media.

What was once dormant is now a Creeping Thing

American cultural institutions seem so bent on preserving the values of "Western civilization," the mythical "Whitetown," that welearn about one another's cultures the same way we learn about sex: in the streets.