The cultural wars of the sixties are over. I've reconciled with those who were my critics and opponents years ago. I was at odds with some those who were Black nationalists. Yet when feminists attempted to end my career and leave me as literary road kill, it was the Black nationalists who came to my rescue.

For generations comedians have made jokes about Scots-Irish in the South inter-breeding. "I am my own grandpa" and all that stuff; you know, because they all were marrying their first cousins.

That kind of thing happens to black people every day in this country, and they don't receive that kind of sentence he did, which was to go to prison on the weekends; I think he lectured there-an outside lecturer.

I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.

I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.

David Simon goes to the Jewish Weekly and said he's made all this money, but he can't enjoy it because of criticism by people like Ishmael Reed.

There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.