Well, what I'm doing is really clothing. I'm not doing sculpture.

I very much like dance and dancers.

Design is not for philosophy it's for life.

From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh

I started to work with cotton fabrics. I used cotton because it's easy to work with, to wash, to take care of, to wear if it's warm or cold. It's great. That was the start.

The best fragrance is the scent of water, the fragrance of dew and rain falling on plants. Water is the essential element, a source of life and energy. A perfume that, like a garment, moves to suit the woman, her skin. A perfume that embraces a woman.

I have always been interested in conducting research that yielded new methods by which to make cloth, and in developing new materials that combine craftsmanship and new technology. But the most important thing for me is to show that, ultimately, technology is not the most important tool; it is our brains, our thoughts, our hands, our bodies, which express the most essential things.