There is certainly a part of my filmmaking that harkens to a more simpler commercial kind of taste, but then with this theres certainly a kind of avant-garde, abstract, existential element to it.

When I have people around, I'm a chatterbox. But when I'm alone, I never speak. I don't talk to myself; it's just not my schtick.

I grew up in suburban New York City and London, England, where my dad was working.

When it feels scary to jump, that’s exactly when you jump. Otherwise you end up staying the same place your whole life. And that I can’t do.

I had a caricature view of the guy in the beret with the big megaphone­­, but a movie director and writer was beyond my role of understanding.

There is certainly a part of my filmmaking that harkens to a more simpler commercial kind of taste, but then with this theres certainly a kind of avant-garde, abstract, existential element to it.

We print money. The people that print the money is actually us. The government of the United States of America. By its very nature, we control that, and this system is there as representation of us.