When I first started rapping, when I switched my style to more like a punch line style - this is when I'm like 13 years old - and I switched it to this real wordy - I was trying to rap like Canibus and like Eminem. It was real lyrical, real wordy and punch lines and, when I would come up with these punch lines and spit 'em in these cyphers, the minute the cyphers would be like, "Ohhh" and everybody would break away, it was a new feeling for me. It was like, "Oh, yo, you see what I just did?" I was addicted to that feeling, and I still love that feeling.

Sometimes I try a Mai Tai. It's so fruity. It's a little embarrassing, but I like it.

I don't live for the accolades. I'm more so about the music. Making it, and putting it out. Those are the two best feelings.

I actually started off majoring in computer science, but I knew right away I wasn't going to stay with it. It was because I had this one professor who was the loneliest, saddest man I've ever known. He was a programmer, and I knew that I didn't want to do whatever he did.

History repeats itself and that's just how it goes.

While silly ni**as argue over who gon' snatch the crown / Look around my ni**a, white people have snatched the sound / This year I'll probably go to the awards dappered down / Watch Iggy win a Grammy as I try to crack a smile.

I'm the same kid who used to hop the trains with headphones and just go to downtown Manhattan, walk around and listen to music or walk through the city. The fame restricts that. It's a small complaint in comparison to the benefits I get from it, but the restrictive part is what I don't like - and the fact that it's not reversible.