What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.

The color of his pallor, however, was a curiously basic white - unmixed, that is, with the greens and yellows of guilt or abject contrition. It was very like the standard bloodlessness in the face of a small boy who loves animals to distraction, all animals, and who has just seen his favourite, bunny-loving sister's expression as she opened the box containing his birthday present to her - a freshly caught young cobra, with a red ribbon tied in an awkward bow around its neck.

She wasn't doing a thing that I could see, except standing there leaning on the balcony railing, holding the universe together.

There is a marvelous peace in not publishing ... I like to write. I love to write. But I write just for myself and my own pleasure.

I know he's dead! Don't you think I know that? I can still like him, though, can't I? Just because somebody's dead, you don't just stop liking them, for God's sake--especially if they were about a thousand times nicer than the people you know that're alive and all.

I was trying to feel some kind of good-bye. I mean I’ve left schools and places I didn’t even know I was leaving them. I hate that. I don’t care if it’s a sad good-bye or a bad good-bye, but when I leave a place I like to know I’m leaving it. If you don’t you feel even worse.

We are, all four of us, blood relatives, and we speak a kind of esoteric, family language, a sort of semantic geometry in which the shortest distance between any two points is a fullish circle.