You don't know what's coming for you in life, and you don't know what's around the corner. When you're in a great deal of pain, you're only imagining your world the way it is.

So, I can live with people saying, "I didn't like it." But I can't live with people saying, "There just seems to be no plan here," 'cause there is a plan. And a lot of people fall into that, where they don't know what their show is yet. Their pilot gets picked up, and they have to figure it out. I would hate to be in that situation.

I'm consistently telling stories about the value of the human condition and connectedness and things like that.

I would much rather have somebody say, "You know what? I just didn't like what you were doing," then say, "They didn't know what they were doing." I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.

What's a hero, if not for its journey. I think you're going to recontextualize what saving the world means, and I think that you will be satisfied with the stakes. That's all I can say about that.

I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.