I want to talk about hope. Are we going to be completely lambasted by things we don't see coming? Yeah. Is it going to damage the human race and hurt us? Probably many times. Are we going to get over it? Absolutely. Are we going to move through it? Yes.

First of all, directing was the most incredible experience. When you run a television show, directing is something that not many people actually get the time to do because you're so consumed with everything that's going on. You can't just disappear.

I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.

Another part of the challenge was to bring back things that you've forgotten about and maybe some things you haven't forgotten about, recontextualize them and have the series make sense.

Never in my career have I got the support for what I'm doing, any more than I have on Fringe.

The whole message of the piece was that possessions are transient. You don't know if you are going to be able to have time with somebody, so you better be careful.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.