It's a sci-fi show on network television, and everybody knows that it's an amazing feat that we've been on for so many years. The fans, the press and everyone has been so incredibly kind and so incredibly supportive that we feel like it's a success, in any way, shape or form. It's an expensive canvas.

The future that I see celebrates those types of like-minded ideals and ideas. I don't know what's coming, but I know that we're not going to get knocked out so easy.

I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

You don't know what's coming for you in life, and you don't know what's around the corner. When you're in a great deal of pain, you're only imagining your world the way it is.

First of all, directing was the most incredible experience. When you run a television show, directing is something that not many people actually get the time to do because you're so consumed with everything that's going on. You can't just disappear.

There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.