What was so great about Lost was that it came to the front door as a drama that was straight-up and really gave you the sci-fi underneath it all. It backed into sci-fi show, at least in my opinion. As soon as they got hooked, they were like, "Okay, I'm there."

I grew up watching a lot of French cinema.

I think that any show that doesn't have huge ratings, that's what you're always up against. Meanwhile, conversations are ongoing. Everything is running the way that things usually run, in these types of situations. I guess we'll find out, like everybody else. But, we don't fret about it because, really, it's out of our control. We can only step back and do our work, and therein lies the serenity. We're hoping for the best and just doing what we love.

What's a hero, if not for its journey. I think you're going to recontextualize what saving the world means, and I think that you will be satisfied with the stakes. That's all I can say about that.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

I fell in love with the possibilities of telling the story in the future, and married that quickly.

Never in my career have I got the support for what I'm doing, any more than I have on Fringe.