I love recording music.

Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in.

There are always a bunch of ideas floating around and I do the best that I can to try to not do them. The ideas don't go away and, over time, are finally like, "Okay, it's been around so long, I have to get this thing out," and it somehow ends up coming to some version of fruition.

I work with really hard-working people who are really good at what they do.

'Star Wars: Episode IV - A New Hope' (1977) is probably the most influential film of my generation. That work was the personification of good and evil and the way it opened up the world to space adventure, the way westerns had to our parents' generations, it left an indelible imprint. So, in a way, everything that any of us does is somehow directly or indirectly affected by the experience of seeing those first three films.

I think you have a passion and an obsession for something when it's not necessarily ubiquitous.

I am lucky, I'm the first to admit that.