The Sword of Elendil was forged anew by Elvish smiths, and on its blade was traced a device of seven stars set between the crescent Moon and rayed Sun, and about them was written many runes; for Aragorn son of Arathorn was going to war upon the marches of Mordor. Very bright was that sword when it was made whole again; the light of the sun shone redly in it, and the light of the moon shone cold, its edge was hard and keen. And Aragorn gave it a new name and called it Andúril, Flame of the West.

Tomorrow we may come this way, And take the hidden paths that run Towards the Moon or to the Sun

Farewell! wherever you fare, till your eyries receive you at the journey’s end!

Fire, fear, foes! Awake!

'Celtic' is a magic bag, into which anything may be put, and out of which almost anything may come. Anything is possible in the fabulous Celtic twilight, which is not so much a twilight of the gods as of the reason.

Most English-speaking people, for instance, will admit that cellar door is 'beautiful', especially if dissociated from its sense (and its spelling). More beautiful than, say, sky, and far more beautiful than beautiful. Well then, in Welsh for me cellar doors are extraordinarily frequent.

Much of the same sort of degraded and filthy talk can still be heard among the orc-minded; dreary and repetitive with hatred and contempt, too long removed from good to retain even verbal vigour, save in the ears of those to whom only the squalid sounds strong.