Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

Ho! Ho! Ho! To the bottle I go To heal my heart and drown my woe Rain may fall, and wind may blow And many miles be still to go But under a tall tree will I lie And let the clouds go sailing by

I'm in a position where it doesn't matter what people think of me now.

Green are the leaves I leave in Mirkwood.

Still, I wonder if we shall ever be put into songs or tales. We're in one, of course; but I mean: put into words, you know, told by the fireside, or read out loud of a great big book with red and black letters, years and years afterwards. And people will say: 'Let's hear about Frodo and the Ring' and they'll say 'Oh yes, that's one of my favorite stories.

Voiceless it cries, Wingless flutters, Toothless bites, Mouthless mutters.

I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?