And when [Bëor] lay dead, of no wound or grief, but stricken by age, the Eldar saw for the first time the swift waning of the life of Men, and the death of weariness which they knew not in themselves; and they grieved greatly for the loss of their friends. But Bëor at the last had relinquished his life willingly and passed in peace; and the Eldar wondered much at the strange fate of Men, for in all their lore there was no account of it, and its end was hidden from them.
J. R. R. TolkienWhat really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
J. R. R. TolkienThe one small garden of a free gardener was all his need and due, not a garden swollen to a realm; his own hands to use, not the hands of others to command.
J. R. R. TolkienHuman stories are practically always about one thing, really, aren't they? Death. The inevitability of death. . . . . . (quoting an obituary) 'There is no such thing as a natural death. Nothing that ever happens to man is natural, since his presence calls the whole world into question. All men must die, but for every man his death is an accident, and even if he knows it he would sense to it an unjustifiable violation.' Well, you may agree with the words or not, but those are the key spring of The Lord Of The Rings
J. R. R. Tolkien