I hate films with a clear message, ones that have their answers already when they start.

I like to apply storytelling methods and techniques to try to frame the story in an interesting way, but you can never control what's happening.

Haiti is the best cure against melancholy; it is also the most creative place for me to be. My productivity has increased enormously since I moved to Haiti. That's where I write my stories, develop my ideas and write nonstop, so it's a productive time, not a sleepy time.

I've done films about games. What I like with games is that there is this uncertain outcome and the element of chance.

I'm a man who struggles with melancholy and depression, but I am a very productive filmmaker and I work constantly, with no pause. Even in the worst of crises, I manage to produce work. And that's keeping me alive.

I hate films with a clear message, ones that have their answers already when they start.

I like the idea of chance coming into filmmaking, in shooting, in editing, and I do make space in my rules of game for chance.