I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!"

Who's got the most heartbreaking voice? I don't know. Tough question.

For most of the projects I've worked on, I've been entrusted with some degree of musical responsibility, even if it's just like coaching for vocals and stuff.

I think Supernatural is the last WB show that's still on the air. It came from The WB and transitioned to The CW. I've been with The CW from the start of The CW, and it says a lot for our network and for our studio that they stood by the show and continued to keep the show high on their priorities list.

Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.

It's sort of a fine line where you're dying to express it and then hoping no one really gets it that closely. But I'm pretty much over that. I'd really just like to be understood.

One thing I know that's really cool - it seems to me that Blake Schwarzenbach [Jets to Brazil frontman; ex-Jawbreaker] is someone who's made music that's people continue to take really personally.