Funny is a good foil. Humor is illuminating, and it also gives you power.

I don't think that just because a lot of my music has a quieter aesthetic; [it] excludes me from achieving that in a live setting, from being dangerous or something.

I think that providing obstructions in the live setting is when you get something that actually means something, as opposed to just aping your way through your greatest hits.

I try to make myself, and subsequently the audience, as uncomfortable as possible, whether it's completely desecrating a song they thought was one thing, or getting too drunk to really do a very good job.

I like the freedom of being able to just use the live show as an opportunity to more so deconstruct what's going on in the album than to recreate it.

If my peers had a significant impact on my music, my music would probably be a lot more popular.

I guess with the way that I've conducted myself I'm in the logical spot and I'm fine with that. Even my limited interactions with success have left me confused and bummed out, so I don't think the two can co-exist.