You have to look at the body of work you're doing and then figure out the best way for people to digest it. You want people to come in and listen to all of it and understand the entire project. I think it's bad when everyone's like, "This is how you have to do it."

You have to look at the body of work you're doing and then figure out the best way for people to digest it. You want people to come in and listen to all of it and understand the entire project. I think it's bad when everyone's like, "This is how you have to do it."

As straight Americans we have two choices: we can choose to sit back and enjoy our rights as we have them, or we can realize that it is actually not freedom at all when our friends, family, neighbors, and colleagues do not share these basic rights.

God, just shoot me the day I start making music you can just put on in the car and have a conversation over it.

Of course, the majority of us would speak up in the face of outrageous bigotry, but do we speak up in a social situation when someone casually refers to something as 'gay'? If we don't, we are standing with the homophobes whom we are quietly fighting.

Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed carelessly onto the street.

I think fans get bored of the pre-roll. I also think they don't care about the pre-roll, they just want the album.